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Shelf in reclaimed Chinese elm and reclaimed kapur.
A commissioned piece for Tasmin. Tasmin hails from South Africa and I specially designed this heirloom piece to remind her of home. I am so grateful that she gave me the creative space to design this! “Please take care of the design.” was all she said after I visited her place and had a chat with her.
Using Chinese Elm that used to be a beam in a Chinese village and Kapur that used to be flooring in old Singapore shophouses, they are now given a new lease of life that Tasmin will keep for a long, long time.
The frame is held together entirely by mortise and tenon joints on the verticals and top and bottom stretchers are dovetailed to hold the 2 verticals together. Needless to say, no nails and screws used.
Finished using 5 layers of hand rubbed tung oil up to 1200 grit paper and 0000 wire wool for the silky feel.
Shelf in reclaimed Chinese elm and reclaimed kapur.
A commissioned piece for Tasmin. Tasmin hails from South Africa and I specially designed this heirloom piece to remind her of home. I am so grateful that she gave me the creative space to design this! “Please take care of the design.” was all she said after I visited her place and had a chat with her.
Using Chinese Elm that used to be a beam in a Chinese village and Kapur that used to be flooring in old Singapore shophouses, they are now given a new lease of life that Tasmin will keep for a long, long time.
The frame is held together entirely by mortise and tenon joints on the verticals and top and bottom stretchers are dovetailed to hold the 2 verticals together. Needless to say, no nails and screws used.
Finished using 5 layers of hand rubbed tung oil up to 1200 grit paper and 0000 wire wool for the silky feel.
Front view
Top
No live edge is made the same way, so I decided to use the most stunning live edge as the top piece.
pictured here with Chef Simone’s oak menu frame